Wednesday 30 October 2013
Tuesday 29 October 2013
Client project practise
Do some practise to my client project, Paul Smith will be the main element in my Nottingham loves project. In this project Paul Smith like a thread throughout the city and the word.
Research project reading list
1. CG Society:
2. fx guide:
3.Jae Hyung Ryu, 2007, Reality & Effect: A Cultural History [online] http://scholarworks.gsu.edu/cgi/viewcontent.cgiarticle=1012&context=communication_diss
4. Pierson, M., 1999, CGI effects in Hollywood science-fiction cinema 1989-95: the wonder year [online]
5.
Shabolt, J., 2013, Parallel Synchronized Randomness: Stop-motion Animation in Live Action Feature Films. Animation Studies Online Journal, 09 June. Available at :
http://journal.animationstudies.org/jane-shadbolt-parallel-synchronized-randomness-stop-motion-animation-in-live-action-feature-films/
6. Sara Álvarez Sarrat and María Lorenzo Hernández, 2013, How Computers Re-Animated Hand-Made Processes and Aesthetics for Artistic Animation. Animation Studies Online Journal, Available
at: http://journal.animationstudies.org/jane-shadbolt-parallel-synchronized-randomness-stop-motion-animation-in-live-action-feature-films/ 7. Wright, S., 2011, Composing visual effects-essentials for the Aspiring Artist, UK : Elsevier Inc.
10. Rondal , 2012, Master OF Poets (and monsters):Interview with visual effects artist Webster
Colcord. Night of the strange dead. 25 June. Available at: http://www.strangekidsclub.com/2012/06/25/interview-with-webster-colcord/
THERE ARE SOME CHINESE WEBSITES AND ARTICLES I AM READING, I WILL POST THEM AT THE FIRST TIME WHILE I CAN USE INTERNET IN MY FLAT.
2. fx guide:
3.Jae Hyung Ryu, 2007, Reality & Effect: A Cultural History [online] http://scholarworks.gsu.edu/cgi/viewcontent.cgiarticle=1012&context=communication_diss
4. Pierson, M., 1999, CGI effects in Hollywood science-fiction cinema 1989-95: the wonder year [online]
5.
Shabolt, J., 2013, Parallel Synchronized Randomness: Stop-motion Animation in Live Action Feature Films. Animation Studies Online Journal, 09 June. Available at :
http://journal.animationstudies.org/jane-shadbolt-parallel-synchronized-randomness-stop-motion-animation-in-live-action-feature-films/
6. Sara Álvarez Sarrat and María Lorenzo Hernández, 2013, How Computers Re-Animated Hand-Made Processes and Aesthetics for Artistic Animation. Animation Studies Online Journal, Available
at: http://journal.animationstudies.org/jane-shadbolt-parallel-synchronized-randomness-stop-motion-animation-in-live-action-feature-films/ 7. Wright, S., 2011, Composing visual effects-essentials for the Aspiring Artist, UK : Elsevier Inc.
8. Wright, S., 2010, Digital
Compositing for Film and Video, UK:
Focal Press.
9. Travis Bourbeau,
2010, Interview with Brandon Young, Visual Effects Artist. Community for
Entertainment Artists. 02 September. Available at:
http://www.cgchannel.com/2010/09/interview-with-brandon-young-visual-effects-artist/
10. Rondal , 2012, Master OF Poets (and monsters):Interview with visual effects artist Webster
Colcord. Night of the strange dead. 25 June. Available at: http://www.strangekidsclub.com/2012/06/25/interview-with-webster-colcord/
THERE ARE SOME CHINESE WEBSITES AND ARTICLES I AM READING, I WILL POST THEM AT THE FIRST TIME WHILE I CAN USE INTERNET IN MY FLAT.
Tuesday 22 October 2013
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